IP3_Amarelo: Cybernatural and coexistence between nature and machine

Authors

  • Artur Cabral Reis

DOI:

https://doi.org/10.29147/dat.v6i1.319

Keywords:

Cybernatural, Nature-artifice, Computational art, IP3_AMARELO

Abstract

This article discusses the theoretical and practical investigation for the development of the emerging and self-organized computational work IP3_AMA¬RELO, exposing the thoughts and concepts which inspired its conception. The text also presents reflections based on the concept of cybernatural proposed by Mitch¬ell Whitelaw, which proposes to explain the possibility of a coexistence between the machinery and the biological, considering the dyad nature-artifice.

Downloads

Download data is not yet available.

Author Biography

Artur Cabral Reis

Artista computacional mestre em Artes Visuais pela Universidade de Brasília, doutorando bolsista CAPES também na Universidade de Brasília. Atualmente faz parte da equipe do Medialab/UNB, onde em suas pesquisas explora a relação arte e a computação em por meio de interfaces e poéticas computacionais

References

CABRAL, A., Venturelli, S., & Prado, G. (2019). Signals detected between biological and machinic. DAT Journal, 4(3), 117-127.(https://doi.org/10.29147/dat.v4i3.152)

HUWS, Ursula Huws. Nature, Technology and Art: The Emergence of a New Relationship? Leonardo. Vol. 33, No. 1 (2014), pp. 33-40.

LATOUR, Bruno. Agency at the time of the anthropocene. New Literary History. Vol..45, n.1, p.1-18, 2014.

Natalie Jeremijenko «One Trees» . Medien Kunst Netz, 2012. Works. Disponível em: <http://www.medienkunstnetz.de/works/one-trees/. Acesso em: 03, outubro de 2020.

Prado, G. Project Amoreiras (Mulberry Trees): Autonomy and Artificial Learning in an Urban Environment. Leonardo 2018 51:1, 61-62. The MIT Press (https://doi.org/10.1162/LEON_a_01557).

PRADO, Gilbertto. Grupo Poéticas Digitais: projetos desluz e amoreiras. ARS (São Paulo), São Paulo, v. 8, n. 16, 2010 . pp. 110-125. (https://doi.org/10.1590/S1678-53202010000200008).

SANTAELLA, Lúcia. Game arte no contexto da arte digital. DAT Journal, v. 2, n. 1, p. 3-14, 14 out. 2017. (https://doi.org/10.29147/2526-1789.DAT.2017v2i1p2-13)

SOGABE, M., Peres, C., Fogliano, F., Nunes, F. O., Braz, S., Peres, C., & Gazana, C. (2017). The Blow.

DAT Journal, 2(1), 105-115. (https://doi.org/10.29147/2526-1789.DAT.2017v2i1p104-114)

VENTURELLI, S., Rocha, C., Augusto da Silva, T., Coutinho, C., Cabral Reis, A., Bartholo, C.,

Mutti, G., Balduíno, G., Ramalho, L., Luize Martins, T., & Hargreaves, P. (2018). Poiesis of the body. DAT Journal, 3(1), 147-155 (https://doi.org/10.29147/dat.v3i1.78)

VENTURELLI, S., Witt, A., Reis, A. C., & Loures, J. (2017). Gameart: Arte e conscientização ecológica. DAT Journal, 2(1), 44-54 (https://doi.org/10.29147/2526-1789.DAT.2017v2i1p43-53)

VENTURELLI, Suzete. Arte: espaço_tempo_imagem. Brasília: Edunb, 2004.

WHITELAW, Mitchell. Metacreation – Art and Artificial Life. Cambridge, Mass.: The MIT Press, 2004.

Published

2021-03-10

How to Cite

Cabral Reis, A. (2021). IP3_Amarelo: Cybernatural and coexistence between nature and machine. DAT Journal, 6(1), 28–34. https://doi.org/10.29147/dat.v6i1.319