Unpredictability in live audiviovisual practices
DOI:
https://doi.org/10.29147/datjournal.v7i3.649Keywords:
Live performance, Live electronic, Live cinema, GlitchAbstract
The audiovisual performances in real time, are characterized primarily by non-linear narrative construction, in which the artist composes the work during his own event. It is a fact where both the data and the performance are decisive for the final result, an artist-device-viewer symbiosis occurs in which unpredictability and chance allow novel correlations. For this presentation we will discuss the non-linear narrative process in the practice of audiovisual in real time, making it possible to understand this (audiovisual) system as a set of components in a state of interaction. We will also present the system as an agglomeration of independent parts, discussing its formation from the understanding of the concept of codes, media and rhythms in this type of practice. To explain the information, we will present Clássicos de Calçada, showing in galleries and specifics places for those kinds of works, and so remotely by the web.
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