Less than 5mm — The unseen threat: A practice-led investigation into micro-plastics effects on coral reefs

Authors

  • Sophie Lewis Auckland University of Technology
  • Marcos Mortensen Steagall Auckland University of Technology

DOI:

https://doi.org/10.29147/datjournal.v8i1.691

Keywords:

Design Research, Micro-plastics, Practice-led research, Reflective Inquiry, Throw-away Society

Abstract

This article presents an artistic practice-led research project that asks: How can communication design be used to raise awareness about the effect of microplastics on coral reefs, encouraging a shift in the mentality of single-use plastic? The study highlights the scale of the issue of micro-plastics, where environmental pollution stemmed from the throw-away society, intending to ignite action – from micro-plastics to micro-changes. An opportunity arose to visually communicate how such a desirable product, the micro plastic, is destroying ecosystems. The project employs a reflective inquiry methodology supported by a heuristic approach, surfacing the tacit and the experiential to heighten self-awareness within the researchers' practice. This approach enables the researcher to draw connections between the subconscious and unconscious mentality, challenging the stigma and pre-existing assumptions. The project explores risograph printing, a digital screenprinting method, complimented with the use of laser cutting to encourage the reader to engage with the artefact and shift the mindset from unconscious buying patterns to become a conscious consumer. In exploring these methods, the project draws on visual inspiration through contextual knowledge. Gathering information and understanding the scale of the issue contributed to the originality and the essence of artefact. The design artefact takes the form of a risograph publication design, embracing the tactility and sustainable practices of the risograph printer in responding the research question. The artefact encompasses the essence of microplastics, uncovering the truth that lies within its aesthetic appearance. Significantly, the project is a conscious, self-reflective inquiry that contributes to the field of knowledge surrounding designing for good, and to giving the ocean personhood. It contributes to discourse about practice-led research in graphic design to engage the reader in behaviour change.

Downloads

Download data is not yet available.

Author Biographies

Sophie Lewis, Auckland University of Technology

Kia Ora, my name is Sophie Lewis. I was born and raised on Waiheke Island, a gorgeous island with a small supportive community. I have recently finished my third year of study at Auckland University of Technology majoring in Communication Design. My minor was Design for Sustainability, a course that has influenced my approach to design as it has taught me how to look at concepts, ideas, or issues through a different perspective.

Marcos Mortensen Steagall, Auckland University of Technology

Marcos Mortensen Steagall is an Associate Professor in the Communication Design department at the Auckland University of Technology - AUT since 2016. He is the Communication Design Postgraduate Strand Leader and Programme Leader for Communication Design and Interaction Design for Year 3. He holds a Master's (2000) and PhD (2006) in Communication & Semiotics acquired from The Pontifical Catholic University of Sao Paulo, Brazil, and a PhD in Art & Design from Auckland University of Technology in 2019. Research interest focus on Practice-oriented research in Design through a Global South perspective.

References

Ardern, S. & Mortensen Steagall, M. (2023) Awakening takes place within: a practice-led research through texture and embodiment. Design, Art and Technology Journal, Vol. 8 No. 1, forthcoming.

Brown, R. & Mortensen Steagall, M. (2023). Painting the Kitchen Tables: Exploring women's domestic creative spaces through publication design. Design, Art and Technology Journal, Vol. 8 No. 1, forthcoming.

Chambers, J. & Mortensen Steagall, M. (2023). Second Nature, a Practice-led Design Investigation into Consumerism Responding to Sustainable Home Habits. Design, Art and Technology Journal, Vol. 8 No. 1, forthcoming.

Chaudhry, A. K., & Sachdeva, P. (2021). Microplastics’ origin, distribution, and rising hazard to aquatic organisms and human health: Socio-economic insinuations and management solutions. Regional Studies in Marine Science, 48, 102018.

https://doi.org/10.1016/j.rsma.2021.102018

Corona, E., Martin, C., Marasco, R., & Duarte, C. M. (2020). Passive and Active Removal of Marine Microplastics by a Mushroom Coral (Danafungia scruposa). Frontiers in Marine Science, 7. https://doi.org/10.3389/fmars.2020.00128

Crespy, D., Bozonnet, M., & Meier, M. (2008). 100 Years of Bakelite, the Material of a 1000 Uses. Angewandte Chemie International Edition, 47(18), 3322–3328.

https://doi.org/10.1002/anie.200704281

Falconer, T. & Mortensen Steagall, M. (2023). Grounding: A Practice-led Graphic Exploration of Ecofeminism, Wellbeing and Ecological Consciousness. Design, Art and Technology Journal, Vol. 8 No. 1, forthcoming.

Francis. (2016). Encyclical letter Laudato si’ of the Holy Father Francis, On care for our common home. https://www.vatican.va/content/dam/francesco/pdf/encyclicals/documents/papa-francesco_20150524_enciclica-laudato-si_en.pdf

HvD Fonts. (2013). HvD Fonts. https://www.hvdfonts.com/fonts/embryo

Ings W., (2022). Week 1 Lecture. Action research. Reflection in action.

Ings W., (2022). Week 8 Lecture. Methods and methodologies.

Ings W., (2022). Week 8 Lecture. Tacit Knowledge.

Kenyon, K. W., & Kridler, E. (1969). Laysan Albatrosses Swallow Indigestible Matter. The Auk, 86(2), 339–343. https://doi.org/10.2307/4083505

Li, Q. & Mortensen Steagall, M. (2023). Memories from COVID-19: A practice-led research about the lockdown through the perspective of a Chinese student. Design, Art and Technology Journal, Vol. 8 No. 1, forthcoming.

Lum, K. & Mortensen Steagall, M. (2023). Breakthrough: An illustrated autoethnographic narrative into professional identity and storytelling. Design, Art and Technology Journal, Vol. 8 No. 1, forthcoming.

Michie, K., & Mortensen Steagall, M. (2021). From Shadow: a practice-led design research on academic anxiety. DAT Journal, 6(1), 339–354. https://doi.org/10.29147/dat.v6i1.345

Mortensen Steagall, M. (2022). Immersive Photography: a review of the contextual knowledge of a PhD practice-led research project. Revista GEMInIS, 13(2), 73-80. doi:10.53450/2179-1465.rg.2022v13i2p73-80

Mortensen Steagall, M. (2021). Reflections on digital image and contemporaneity. Revista GEMInIS, 12(2), 241-250. doi:10.53450/2179-1465.RG.2021v12i2p241-250

Mortensen Steagall, M. (2020). Conceptual images in advertising: Premises of the advertising image powered by technology and interactivity. Convergencias : Revista de Investigacao e Ensino das Artes, XIII (26).

Mortensen Steagall, M., & Ings, W. (2018). Practice-led doctoral research and the nature of immersive methods / Pesquisa de doutorado practice-led e a natureza dos métodos imersivos. DAT Journal, 3(2), 392-423. doi:10.29147/dat.v3i2.98

Mortensen Steagall, M. (2019). The process of immersive photography: Beyond the cognitive and the physical (Doctoral dissertation, Auckland University of Technology).

Mpofu, N., & Mortensen Steagall, M. (2021). Uhlola kweNdebele: Reconnecting Zimbabwe Through Typographic Design. 8TRANSVERSO, ANO 9, N. 10, AGOSTO 2021ISSN: 2236-4129, 9(10), 8-16.

Miles, S. (1998). Consumerism; as a way of life. Sage Publications, Limited. [Book]

Nesteriuk, S., & Ings, W. (2018). New Thinking & Emerging Thoughts: Practice As Research In Design, Art And Technology. DAT Journal, 3(2), 1–8. https://doi.org/10.29147/dat.v3i2.84

Olesen, J. (2013, March 17). Orange Color Meaning: The Color Orange Symbolizes Enthusiasm and Emotion. https://www.color-meanings.com/orange-color-meaning-the-color-orange/

Oxford Dictionary. (2022). Consumerism noun definition, pictures, pronunciation, and usage notes. Oxford Advanced Learner’s Dictionary at

https://www.oxfordlearnersdictionaries.com/definition/english/consumerism#:~:text=%E2%80%8Bthe%20buying%20and%20using,quantity%20of%20goods%20and%20services

Polanyi, M. (1962). Tacit knowing. Philosophy Today, 6(4), 239-262.

Reason P. & Bradbury H. (2005). Handbook of action research: participative inquiry and practice. SAGE Publications. Retrieved October 26 2022 from https://nls.ldls.org.uk/welcome.html?ark:/81055/vdc_100025506362.0x000001.

Rotjan RD., Sharp KH., Gauthier AE., Yelton R., Lopez EMB., Carilli J., Kagan JC., Urban-Rich J. (2019). Patterns, dynamics and consequences of microplastic ingestion by the temperate coral, Astrangia poculata. Proc. R. Soc. B 286: 20190726.

http://dx.doi.org/10.1098/rspb.2019.0726

Ryan, P. G. (2015). A Brief History of Marine Litter Research. Marine Anthropogenic Litter, 1–25. https://doi.org/10.1007/978-3-319-16510-3_1

Shan, K. & Mortensen Steagall, M. (2023). Forgotten: an autoethnographic exploration of belonging through Graphic Design. Design, Art and Technology Journal, Vol. 8 No. 1, forthcoming.

Whiteley, N. (1987). Toward a Throw-Away Culture. Consumerism, “Style Obsolescence” and Cultural Theory in the 1950s and 1960s. Oxford Art Journal, 10(2), 3–27. http://www.jstor.org/stable/1360444

Ventling, D. (2018). Heuristics: A framework to clarify practice-led research. DAT Journal Design Art and Technology, 3(2), 122-156. https://doi.org/10.29147/dat.v3i2.88

Downloads

Published

2023-03-15

How to Cite

Lewis, S., & Mortensen Steagall, M. (2023). Less than 5mm — The unseen threat: A practice-led investigation into micro-plastics effects on coral reefs. DAT Journal, 8(1), 170–212. https://doi.org/10.29147/datjournal.v8i1.691