Image, design and expographic narrative

a critical reading of ISSOÉOSSODISSO curatorship

Authors

  • Priscila Almeida Cunha Arantes

DOI:

https://doi.org/10.29147/dat.v4i3.150

Keywords:

Art, Image, Expographic Design, Curatorship, Paço das Artes

Abstract

Throughout the twentieth and twenty-first centuries, with the beginning of a new stage in the history of culture based on the ever-increasing presence of media and imagery, a number of thinkers are beginning to take the media as their starting point. the theoretical development. Based on this assumption, this article is divided into three parts. In the first, we analyze the thoughts of Vilém Flusser and Walter Benjamin that point to the importance of images in the construction of historical narrative. In the second, we discuss ‘the thought by images’ of art historian Aby Warburg. Finally and as a case study, we made a critical reading of the exhibition ISSOÉOSSODISSO by brazilian artist Lenora de Barros, presented at Paço das Artes in partnership with the Oswald de Andrade Cultural Workshop in 2016.

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References

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Published

2019-12-06

How to Cite

Almeida Cunha Arantes, P. (2019). Image, design and expographic narrative: a critical reading of ISSOÉOSSODISSO curatorship. DAT Journal, 4(3), 96–106. https://doi.org/10.29147/dat.v4i3.150