Resgatando as obras de arte em novas mídias da obsolescência tecnológica
DOI:
https://doi.org/10.29147/dat.v4i3.145Palavras-chave:
Novas mídias, Armazenamento, Emulação, Migração, ReinterpretaçãoResumo
À medida em que o tempo passa e as tecnologias digitais se tornam obsoletas, mais e mais obras de arte em novas mídias enfrentam a possibilidade de se perderem para sempre. Como muitas obras de arte de novas mídias dependem de determinadas tecnologias, quando essas tecnologias são substituídas por outras ou não estão mais disponíveis, devem ser tomadas medidas para tornar as obras de arte antigas compatíveis com as tecnologias mais recentes que as substituem. Usando os conceitos de armazenamento, emulação, migração e reinterpretação de Jon Ippolito, este texto tenta fornecer uma estrutura básica para entender cada conceito diferente e as vantagens e
desvantagens de sua implementação. O que é feito com a restauração da obra Desertesejo, de Gilbertto Prado (2000/2014/2018), para ilustrar o processo.
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Referências
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