Arte na Linha de Divisão: Experiências em Arte e Tecnologia na Índia e América Latina

Autores

  • Reynaldo Thompson
  • Tirtha Mukhopadhyay

DOI:

https://doi.org/10.29147/datjournal.v7i1.574

Palavras-chave:

Arte, tecnologia, India, América Latina, IA

Resumo

Neste artigo, discutimos as causas das variações regionais na arte eletrônica. Geolocalizar conquistas regionais em arte eletrônica requer uma compreensão dos recursos educacionais e o avanço da engenharia em locais de culturas economicamente produtivas. Se pensarmos no desenvolvimento de algoritmos como a causa motriz das inovações na arte da mídia eletrônica, descobriremos que mais do que alguns nichos regionais não foram deixados para trás, pelo menos não em locais de mercado alternativos como a Índia ou mesmo a China, embora os resultados não sejam tão animadores em áreas como a África e os países da Eurásia.

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Biografia do Autor

Reynaldo Thompson

Studied architecture at the University of Guanajuato and at the Polytechnic University of Catalonia in Barcelona. In The University of Texas at Dallas he obtained the Doctoral degree in aesthetic studies under the direction of Doctor Richard Brettell. He has participated in different exhibitions both individual and collective and conducted shows in Mexico and abroad. He served as director of the Department of Art and Business of the University of Guanajuato and is currently focused on researching art, science and technology in Latin America.

Tirtha Mukhopadhyay

PhD is Professor of Art and Enterprise at Universidad de Guanajuato, Mexico. He is multi-disciplinary scholar who taught at Presidency University of India (1996-2000), University of Calcutta (2000 -2016) and at University of Texas at Dallas from 2002 to 2005, before migrating to Mexico. He was Fulbright-Nehru Senior Research Fellow at the University of California, Santa Cruz, USA from 2013-2014. His publications include books like ‘Affective States in Art’ (Proquest-UMI) ‘Cezanne to Picasso’ (Calcutta University Press, India) and more than 50 articles on creativity, cognition and aesthetics, digital art, visual anthropology and literature, that were published from reputed publishers like OUP, IOS Press, MIT and Atelier-Etno. Mukhopadhyay is also a poet in the Bengali language. He is the Chief Editor of an indexed interdisciplinary journal called ‘Rupkatha’ since 2009.

Referências

Drori, G. S. (2010). Globalization and technology divides: Bifurcation of policy between the “digital divide” and the “innovation divide”. Sociological Inquiry, 80(1), 63-91.

Herkenhoff, P. “Learning and Dislearning to be Global: Questions at 44°53’N, 93°13’ W, and 22°54’24’’ S, 43°10’21’’ W.” How Latitudes Become Forms. Retrieved 17th November 2021.

Krithivasan, K. (2016). A View of India Through Kolam Patterns and Their Grammatical Rep¬resentation. In The Mind of an Engineer (pp. 375-384). Springer, Singapore.

MUKHOPADHYAY, T. P.; THOMPSON, R. “Tecnoflâneurs y faquires: El arte al otro lado de la brecha digital” in H-ART. Revista de historia, teoría y crítica de arte. Issue 9, Jul 01, 2021. ht-tps://doi.org/10.25025/hart09.2021.07

Schmitt, U., & Butchart, B. A. (2014, April). Making Personal Knowledge Management Part and Parcel of Higher Education Programs and Services Portfolios. In Journal of the World Uni¬versities Forum (Vol. 6, No. 4).

Thompson, R. & Mukhopadhyay, T. Arantes, P. & Prado, G., Argente, D. Cruz, D. & Piñero, B. Fragoso, M., La Ferla, J., Santos. N.C. Panel 492. In “Penumbra in faint light: contemporary art and technology in Latin America”. ISEA2019 Gwangju LUX AETERNA - Proceedings of the 25th International Symposium on Electronic Art. Gwangju: Art Center Nabi, Korea Advanced Institute of Science and Technology, Chung-Ang University, and ISEA International. p. 679- 699. http://j.mp/2Y893FU

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Publicado

2022-03-23

Como Citar

Thompson, R., & Mukhopadhyay, T. (2022). Arte na Linha de Divisão: Experiências em Arte e Tecnologia na Índia e América Latina. DAT Journal, 7(1), 89–101. https://doi.org/10.29147/datjournal.v7i1.574

Edição

v. 7 n. 1 (2022): Arte, Design e Tecnologia + Dossiê UFAM

Seção

Arte, Design e Tecnologia

Licença

Creative Commons License
Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.