La exposición internacional de 1862 en Londres y el origen de las mega-exposiciones de arte contemporáneo
DOI:
https://doi.org/10.29147/dat.v5i3.220Palabras clave:
Exposiciones Internacionales, Londres, Representaciones Nacionales, CuraduríaResumen
Este artículo aborda el origen de las exposiciones internacionales de arte en el siglo XIX, especialmente las exposiciones de Londres de 1851 y 1862, como modelo para las bienales contemporáneas. Presenta una revisión historiográfica sobre el tema, cubriendo también otras modalidades expositivas creadas en la época,
como los museos de arte y las exposiciones estacionales de la academia. El trabajo también aborda el tema de las representaciones nacionales en este contexto.
Descargas
Citas
ALLWOOD, John. The Great Exhibitions: 150 years. 2 ed. London: Exhibition Consultants Ltd., 2001.
ALTICK, Richard. The Shows of London. Cambridge, Mass.: Belknap Press, 1978.
BATAILLE, George; Michelson, Annette, Museum, October, Vol. 36, Georges Bataille: Writings on Laughter, Sacrifice, Nietzsche, Unknowing, 1986, pp. 24. DOI: https://doi.org/10.2307/778543
BENNETT, Tony. The Birth of the Museum: History, Theory, Politics. Culture : Policies and Politics. London: Routledge, 1995.
BRYANT, Julius. The progress and present condition of Modern Art’: Fine Art at the 1862 Exhibition. The Journal of the Decorative Arts Society 1850 - the Present, No. 38, Almost Forgotten: the International Exhibtion of 1862, 2014, pp. 58-81.
DAVIS, John R. The Great Exhibition. Stroud: Sutton, 1999.
DISHON, Dale. South Kensington's Forgotten Palace: The Rise and Fall of the 1862 Exhibition. The Journal of the Decorative Arts Society 1850 - the Present, No. 38, Almost Forgotten: the International Exhibtion of 1862, 2014, pp. 20-43.
DUNCAN, Carol. From the Princely Gallery to the Public Art Museum: The Louvre Museum and the National Gallery, London. In Preziosi, Donald; Farago, Claire. Grasping the World: The Idea of the Museum. Aldershot, Hants, England: Ashgate Pub, 2004, p.250-277. DOI: https://doi.org/10.4324/9780429399671-17
FILIPOVIC, Elena; VAN HAL; Marieka, ØVSTEBØ, Sølveig. The Biennial Reader: Anthology of essays on the global phenomena of biennials. Ostfildern: Hatje Cantz, 2010.
GREENHALGH, Paul. Ephemeral vistas: the expositions universelles, great exhibitions and world’s fairs, 1951-1939. Manchester University Press, 1988.
HUTCHISON, Sidney C. The History of the Royal Academy 1768-1986. 2 ed. London: Royce, 1986.
INTERNATIONAL EXHIBITION. Remarks on the Foreign Pictures Now in London, 1862a, p.50-57.
INTERNATIONAL EXHIBITION. Pictures, British and Foreign. Edinburgh: Blackwood, 1862b, p.353-371.
MOREIRA, Francisco. Relatório Sobre a Exposição Internacional em 1862 Apresentado a S. M. o Imperador, Thomas London: Brettell, 1863.
PEVSNER, Nikolaus. High Victorian Design: A Study of the Exhibits of 1851. London: Architectural Press, 1951.
PREZIOSI, Donald. Brain of the Earth's Body: Art, Museums, and the Phantasms of Modernity. Minneapolis: University of Minnesota Press, 2003.
REZENDE, Lívia.The Raw and the Manufactured: Brazilian Modernity and National Identity as Projected in International Exhibitions (1862–1922), PhD thesis, Royal College of Art, 2010.
YOUNG, Paul. Globalization and the Great Exhibition: The Victorian New World Order. Palgrave Studies in Nineteenth-Century Writing and Culture. New York: Palgrave Mac-millan, 2009. DOI: https://doi.org/10.1057/9780230594319
