A exposição Internacional de 1862 em Londres e a origem das megaexposições de arte contemporânea
DOI:
https://doi.org/10.29147/dat.v5i3.220Palavras-chave:
Exposições Internacionais, Londres, Representações nacionais, CuradoriaResumo
O presente artigo trata da origem das exposições internacionais de arte no século XIX, sobretudo as exposições de Londres de 1851 e 1862, enquanto modelo para as bienais contemporâneas. Nele é apresentada uma revisão
historiográfica sobre o tema, abrangendo também outros modos de exposição criados no período, como os museus de arte e as exposições sazonais da academia. O trabalho trata ainda da questão das representações nacionais nesse âmbito.
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